Out of their poverty, they substitute the truth for a lie, because the lie is all they know, yet they search for truth where they can. They glory at the honesty of bloody fingerprints on otherwise radiant skin; they revel at locks of hair torn and then thrown to the grimy ground. They rejoice in meaning, even when it’s ugly. They acknowledge desire, fear, passion, angst, and ache to see it with their own eyes.
More often these days I make an effort to contemplate, to participate in what comes to life in the kitchen. Scratch cooking and baking is somewhat counter-cultural and partly a spiritual exercise for me. It's my effort to deny fastness in order to slow down, appreciate, and taste the unfolding richness of what God has implanted in ordinary ingredients.

The Art House Dallas Song Project: a Recap and Reflection

For anyone who is serious about having a songwriting life inspired by Jesus, it’s time to deal with what He is interested in — everything. This means people seeking God in a more beautiful, faithful way of living which is holistic in scope — beyond pietism to a true rightness, the rightness revealed in the person of Jesus and all that concerns Him.

Full of Beans

Play is an essential, but often forgotten aspect of life. We leave it behind when we enter the serious business of adulthood and too often forget to pick it up again. We go for long stretches of time, working hard and persevering with one thing and another — projects and people. In particularly weary and anxious seasons, I often recognize in myself a longing to experience something completely other. It begins to well up inside until I feel I could burst from the need for a change.

Winter’s slow but resistant recession has begun, and every part of me approves of the transformation. Robins know, too. They sing differently in this air. With more intent, their warbles cascade with less timidity, more gallantly, with greater vigor, more musically sweeping. They know. I listen.
We have settled into winter here in Virginia. The salty white streets blend right into the chalky horizon. Cold cloaks our home and seeps in through the cracks. We’re expecting snow tonight. But fragrant on my stovetop is the scent of summertime. And if I close my eyes and stand in the warm steam rising from the pot, I can remember the sultry day when the children and I canned this soup. The laughter rang loudly that afternoon, and the tomatoes splattered all over the kitchen. Months gone now, yet still I find remnants stuck to the cabinets. And I smile. Canning food is a messy, measured, raucous process and I love it.
She’s a mother, a hair stylist, a published fiction writer. Kristin Russell isn’t trying to show off. She’s just that impressive. Between her work at a hipster salon in the 12th South neighborhood of Nashville and caring for her two-year-old son Finn, her husband Rann, and her yorkie Audrey, Kristin has made the time to release her literary energy. Her attempts have resulted in a successful first novel, Recovering Ramona, a story about a “young woman who tackles her mom issues and her fears about starting a future family with the help of an eccentric hippie and a 1986 Volvo.”

Writing to Remember

I’ve been possessed by the archiving bug for most of my life. I’m terrible at throwing away anything that represents a piece of personal or family history. Mementos from my children and grandchildren, old negatives from the days before digital photos, desk calendars with a year of life scheduled in the pages, cards and letters — basically anything that has significance for me or my family story must be kept. That inclination, along with the urge to write, led me to the pages of diaries and journals.

I do a fair amount of dreaming in terms of what sounds fun to do next. Who would be fun to work with? I have the luxury of being able to ask myself questions like that, and I take it pretty seriously. Josh, Sandra, and I were sitting around a few different times saying, “So what next? What am I gonna do? What follows the year I’ve just had?” And I looked at Josh with a smirk and said, “Time to make a worship record.” 
In the hands of another author, the blood and shame meted out in her stories would be cruel and nihilistic, a demonstration of an unfeeling universe smiting everyone alike. But O’Connor’s aim was different. She was focused at her core upon the Gospel, the arc of sin, redemption, and glorification, and though many of her stories stop short of redemption (much less glorification), redemption is the long shadow cast over the whole proceeding.
Celestin asked if I would help raise awareness. As a photographer/filmmaker, I set out to do just that. It’s difficult to get Americans to think twice about anything unless we are given provocative images. I started off by capturing stills and footage. That gained momentum until I had to start turning down my professional photography jobs and put all my time into making the movie. Clearly, raising awareness is just the beginning.
Storytelling is all about change. If characters don't change, you don't have a story, and change is achieved through the interaction of conflict and grace. Because Fin is such a strong-willed character, the forces necessary to affect her change needed to be even stronger. So there's a lot of pain in these two books, and a lot of resistance. But just like in life, the most painful times, and the times when we put up our strongest defenses, are the ones that eventually flower into the most beautiful seasons of renewal.
As I took my seat in the hushed house, low lights came up on a minimal but rich wall of loosely joined wooden slats that allowed amber rays to seep through jagged cracks. A circle of Roman numerals implied a grand clock in the center of the expanse. As strains of Mozart’s “Requiem in D” began, gentle fog crept in and enveloped us. We passed the next two hours in the company of some of Nashville’s finest acting talents, all dressed in handsome, jeweled hues.
The distraction helps me forget the silver eyebrow, wayward twin of Normal. But I return to my departing gate and the young man remains where I left him. I cannot shake his innocuous but jarring irregularity, a feature allowing his face to hold the paradox of innocence and experience together in tension. Somehow he stands between the woman with the cane for whom the airport is a veritable gauntlet, and the young couple who could circumnavigate it all day and get up tomorrow to do it again. He wears on the outside what we get to hide from, put off, or ignore: our own slow march toward greater imperfection, and then, the end. It’s not about age; it’s about control.
To be sure, we don’t strive for proximate justice. Who wants to strive for an incomplete or imperfect Kingdom? By its very definition shalom means all things as they should be, in right relationship. But we do need an understanding of proximate justice to help us wait until then, even as we strive daily toward shalom in all corners of creation.

On Learning to Hear

Learning to hear has been a lifelong process for me, and the better I think I get, the more I know I miss. Part of it is like sorting one’s way through a blanket of static, desperately trying to pick out words of life in a cacophony of noise that seems designed to inflame rather than inform, to distract instead of clarify. But most of my problem is hubris, a deep-seated confidence that in something so ordinary and easy as hearing I have little to learn.