Cultivating Creative Community
All by Barbara Lane
When I place a record on the turntable, something in me slows down. It simply will not do to continue the multitasking that consumes most of my days and some of my nights. This is not background music for grading; it is an experience. I must listen. And as I listen, the experience threads its way into the busyness of my everyday. As I listen, the crackle and hiss of the turntable’s voice lets me into the wild soul of the music.
I reach the tracks and look both ways, like the sign says, just in case, though it’s difficult to imagine a train without a decent amount of noise to warn its approach.
I take my time crossing the tracks.
I look down the east line and imagine what’s beyond the horizon, imagine myself on the Amtrak, one station away from the New Mexico border. Red lights flash, the bell ding ding dings, and my pace quickens.
I glanced behind me and ached for the desert — a landscape in which things and maybe people, too, thrust deeper roots into the rocky earth in order to survive. It is a land teeming with earth-toned life, as though wildness found just enough water to scratch color onto the earth’s skin only to have the sun bleach it out again. Struggle is its tradition, baked under the scorching sun in a massive sky, seasoned with diverse cultures in providential collision. The history of the land unfurls into the present like the deep fuchsia blossoms of a White Sands cactus. I didn’t like this arid landscape much until after I left.
I dabble. This is partly to do with a lack of focus and, at times, plain old laziness. But sheer curiosity holds the lion’s share of this scattershot creativity. It’s not enough to enjoy a good book — I want to write good words. To drop five bucks on the counter for an artisan loaf of bread or to savor a craft brew and not experience the process is to leave something incomplete. A question remains unvoiced.
I train my eyes to rest on these beautiful things during work days, reminiscent of the time I discovered an open E chord on my guitar and played it for a solid half hour in as many ways I could, with my ear resting on the body of the instrument to soak up the resonance. There’s a stability I’m finding here that is good and right, that reminds me of the growing stability of my hands mastering those first basic chord shapes and transitions.
Small things. Sweet tea and warm cookies. An Americano, fresh and local. Simple gifts with a profoundly Eucharistic quality. They are the work of another person’s hands; acts of attentiveness in the creation of a personal and communal experience. Simple gifts, but rich and nourishing.
Early on a Thursday morning two weeks ago, I gathered my bags and hit the road for Laity Lodge's annual artist retreat, including Art House America founders and friends. Eight hours and a triple-shot latte later, I turned off Highway 83 and eased the car down a gravel road. Hand-carved signs punctuated the progression of slopes and curves leading down into the canyon, asking me to slow down. At the bottom of the canyon, the road disappeared into a river. I stopped to double-check the driving directions. “Turn left into the river . . . ”
